N2 - This article serves as an introduction to a special issue on intimacy and cordiality in contemporary Brazilian cultural production. T1 - Cordiality and intimacy in contemporary Brazilian culture It traces these purported “national traits” back to their exploration in Gilberto Freyrergio Buarque de Holanda, television.", Keywords: Brazilian cinema, cordiality, domestic workers, Gilberto Freyre, intimacy, maids, Sérgio Buarque de Holanda, television.Ībstract = "This article serves as an introduction to a special issue on intimacy and cordiality in contemporary Brazilian cultural production. The link between cordiality and cruelty is also explored to provide a context for articles that reflect on the frailties of Brazilian state apparatuses, which have led to social breakdown, and even to the use of coercion or torture. The recent wave of Brazilian cinema and TV series that focuses on the figure of the maid evocatively foregrounds the continuing primacy of intimate relationships in Brazil, and the enduring relevance of Holanda and Freyre’s insights this includes films by Anna Muylaert and Kleber Mendonça Filho, which are analysed in this issue. The articles enclosed are informed by Holanda’s suggestion that the country’s colonial heritage and patriarchal culture has complicated the institution of a clear distinction between the private (familial) and public realms.
While Freyre emphasises the formative influence of the close ties between Afro-Brazilian wet-nurses and landowning families in the colonial era, Holanda’s schematisation of the “cordial man” focuses on the sinister consequences of the Brazilian drive towards intimacy. It traces these purported “national traits” back to their exploration in Gilberto Freyre’s renowned Casa grande & senzala (1933) and Sérgio Buarque de Holanda’s Raízes do Brasil (1936). This approach allows for further discussion on the relationship between public and private spheres and the nation's formation, going beyond the criticism of the overlapping of public and private realms, present on Brazilian social thought patriarchal domination analysis.This article serves as an introduction to a special issue on intimacy and cordiality in contemporary Brazilian cultural production. From the works “Populações Meridionais do Brasil”, by Oliveira Vianna e “Raízes do Brasil”, by Sérgio Buarque de Holanda, I question the reference to the concept of patriarchy, bringing to the debate on the formation of Brazil the underlying asymmetric relations between men and women brought by such a concept. The paper discusses the relationship between patriarchy and formation of the Brazilian nation from a feminist perspective.
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